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Dancing Trump: The fact is what is currently being performed

Dancing Trump
The fact is what is currently being performed
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Notes

table of contents
  1. Cover image
  2. Title Page
  3. Imprint
  4. Logos
  5. Contents
  6. “Let’s make it into music”: Trump dances
  7. Twitter and TV
  8. A brief language critique of Trump’s language critique (Michael Wolff)
  9. Liquidation of meaning and simulacricity (Baudrillard)
  10. “Reading meaning and depth into Trump” (Maggie Haberman): On the topology of surface and depth
  11. Music instead of language
  12. Political dance: Richard Sennett on Louis XIV
  13. Mimesis as dance, music and performance (Aristotle)
  14. Mimesis as imitation, resemblance to truth and deception (Plato)
  15. Poetics (Aristotle) versus ethics and education (Plato)
  16. Voice and hypocrisy
  17. A tie instead of soul. James Joyce’s superficiality
  18. The fact is what is currently being performed
  19. Mugshot and mask. Trump’s official portrait
  20. Masks and power
  21. Janus and Dionysus, the fecal version
  22. What is the inversion of truth against the abolition of its possibility?
  23. Without wit or irony: Trump rescues kittens
  24. Thanks

The fact is what is currently being performed

But it’s not just those who want to portray Joyce who should look at their ties and surfaces. The rule also applies to Trump. In fact, Trump himself is an observer and thinker of the surface. Maggie Haberman also sees it that way. She has described how Trump infers his existence from the public visibility or performance of something. This was the logic during the Corona period, for example: If you discuss the dangers of the COVID virus on an open stage, you create them in the first place; if you don’t talk about the dangers, you make them disappear.

According to Haberman, something is true, factual or existent for Trump because it is being performed or discussed in public at the moment, but only for as long as it is being performed or discussed. She writes: “Trump had always appeared to believe that things only existed if they were discussed openly, and he set about minimizing the [COVID] virus in public, despite private warnings from National Security Council team that it was significant and from aides such as Kellyanne Conway and Brad Parscale to treat it seriously.”84 Once again: for Trump, according to Haberman, whatever is being performed and is therefore visible is true or fact. Truth as a show in real time, live: this is either the most extreme performative concept of truth and fact imaginable—or none at all.

Notes

  1. 84Haberman, Confidence Man, p. 414.

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